篇一：快乐王子读后感
书名：快乐王子
作者：王尔德
出版社：上海译文出版社
出版时间：2010.4
天空中有一朵灰灰的云，因为它出来的时候忘记擦干净脏兮兮的脸颊了。所以，星星和月亮都不和它玩耍，它只好和自己玩。有一天，太阳老公公出来打了一个哈欠，一口气把小灰云吹到天的很下很下面去，在很下很下面的地方，小灰云悄悄的落入了小白兔的睫毛上。
小白兔揉了揉眼睛，就泪汪汪的掉起眼泪来。小白兔的名字的叫白兔盖，因为它的两只长耳朵经常耷拉下来，所以大家见到小白兔就会说：“爱哭的白兔盖，你好呀。”
白兔盖每天晚上都会听兔妈妈念王尔德的童话，听妈妈讲王尔德据说是一个大天才，他会编许许多多的童话故事。
“那他的故事里，有白兔盖吗？”白兔盖问妈妈。
“有呀。”
“有白兔盖妈妈吗？”白兔盖又问妈妈。
“有呀。”
“有白兔盖爸爸吗？”白兔盖继续问妈妈。
“有呀。”
“原来王尔德喜欢白兔盖的爸爸妈妈和白兔盖。”
那天夜里，白兔盖做了一个梦，梦见自己的两只兔兔耳朵立起来了。因为它偷偷地听到了美丽的夜莺在树林里歌唱，一遍又一遍地歌唱，唱到森林里的小蚂蚁都停止了搬运，树梢的月亮为它叹息，河里的鱼儿轻轻地擦眼泪，唱到那颗刺深深地扎入她的心脏，将蔷薇染红，一直唱到她死去。
醒来后，白兔盖一个人在夕阳下的树林里，流了很久很久的眼泪。
“很久很久有多久？”白兔盖问妈妈。
“就是王子的快乐那么久。”
“王子的快乐有多久？”白兔盖又问妈妈。
“就是小燕子对王子的爱那么久。”
“小燕子，小燕子的爱有多久？”白兔盖继续问妈妈。
“就是我对你的爱那样久。”
白兔盖不知道兔妈妈的爱有多久，跑到邻居小溪边，去问住在那里的鱼儿，鱼儿告诉它，就是大海对小溪的爱那么久。白兔盖又跑到大海边，海里的美人鱼告诉它，就是天空对海水的爱那么久。白兔盖对着美人鱼伤心地哭起来。因为它永远也不能去问天空的爱有多久。
白兔盖流了很多的眼泪，就去喝了一口水，海水咸咸的。突然，白兔盖看到一滴滴海水里面都住了一个小小人。白兔盖叫它们小精灵。它看到小精灵会飞，而且可以飞到大海的很上很上面去。
白兔盖不知道，精灵就是小灰云化成的样子。于是，小灰云去问天空，“你对海水的爱有多久？”天空说：“就是我对星星的爱那么久。”小灰云这回擦擦脸，变成洁白的云朵，飘去问星星，星星告诉它：“久的就像，就像，就好像是太阳会懒洋洋的打哈欠，一口气把你吹下去了，那么久。”
终于，没有人知道。很久到底有多久。
后来，兔妈妈给白兔盖念完了王尔德的所有童话，白兔盖摸了摸自己的兔耳朵，发现它已经竖起来了，白兔盖也不爱哭了。
因为，在无数个夜里，白兔盖总是会想起与小灰云一起，找呀找呀找永远的日子。
我本没有打算写这篇虚构文的。只是又看了一遍书之后，觉得很受感染。于是就自然而然也想写点什么。这篇文章其实有一些隐喻在里面，都是很微小很私自的一些东西，当时起笔时完全是随性意识流，断断续续发现很多东西和以前发生的一些言语和概念正好契合。
说回王尔德，童话故事大概是每个小孩子在童年时都会看的书罢。关于故事里的森林，房屋，和人类的印象，那些都是对我很受影响的东西。我觉得文学的事情，说到底，于社会，于他人，于自己，表达传递和追寻探求的本质都是真善美。而童话本身就是真诚善良和美好的小故事。
于是，便以这篇作为五篇笔记的结尾。
杜朝亦
2012.12.16
篇二：《快乐王子》读后感
《快乐王子》读后感
今天，我一口气读完《快乐王子》这篇童话，富有爱心的快乐王子和小燕子深深地打动了我的心。
《快乐王子》讲的是这样一个故事，一只南飞时的小燕子落到了快乐王子的雕像上。快乐王子因为看到人间的贫苦，一次又一次地恳求那一只小燕子帮助他把自己身上的宝石和金叶子送给穷人，让他们得到快乐和幸福。最后小燕子因为寒冬的到来冻死了，而快乐王子的雕像因为没有宝石和金叶子的衬托而暗淡无光被人们熔化了。
是什么让快乐王子和小燕子宁愿牺牲自己也要帮助别人呢？答案只有一个爱心。为了帮助别人，快乐王子宁可抛弃华丽的外表，献出宝石做成的双眼。而小燕子被快乐王子的爱心所感动，它宁可被冻死，也要陪在快乐王子的身边。在他们的帮助下，穷人们得到了快乐，快乐王子和小燕子也感受到了真正的快乐。
这个故事让我明白一个道理：爱是一种奉献，给予比索取更能让人快乐。我以后要向快乐王子和小燕子学习，在别人需要的时候及时去帮助他们。在帮助别人的时候，我一定是最快乐的。我想，如果人人都能付出自己的爱心，那么我们的生活就会充满快乐。
篇三：A Basic Analysis on the Happy Prince (王尔德 快乐王子的读后感)
A Basic Analysis on the Happy Prince 吴佩珊 32013130007 经贸翻译班
Asoneof the most controversial and popular writers in 19th century, Oscar Wild has been continually enjoyed a high reputation owing to his brilliant wit, sparkling conversation and daring genius until today.Though a productive writer he is and numerous quotations are quoted frequently by his readers after a century of his death, his most famous article remains a fairytale—the happy prince. Why such an articlewhich originally was wrote for his son as a bedtime story has attached so great the importance in the history of literature? Today, I’m going to analyze the reason in the perspective of aestheticism.
First, I want to give a brief introduction to the fairytale. The Happy prince tells a tragic but beautiful story. In a town where many lower class people lead miserable lives, a statue named "Happy Prince" stands high above the city. One day, a swallow on his way to Egypt meets the statue and finds it crying for viewing various scenes of people suffering in poverty from his tall monument. In order to help the poor, the swallow becomes the massager of the happy prince to take the ruby from his hilt, the sapphires from his eyes, and the golden leaf covering his body to the poor. When snow approaches, the Happy Prince is stripped of all of his beauty. His lead heart breaks when the swallow dies as a result of his selfless deeds. The statue is then destroyed and melted leaving behind the broken heart and the dead swallow. However, an angel finds them and deems them as the two most precious things in the city, thus they are taken tothe God and enjoy eternal
lives in the garden of paradise.
As we all know, Oscar Wilde is a representative of Aestheticism. One of his celebrated theses is that- “Art for art’s sake.” It is not difficult to find that he spares no effort to inject the authentic feeling into lines in his works. The authentic feeling is embodied in several aspects —— from the delicate language to the imaginative pictures which the words bring to readers, together with thoughts behind lines.
In Happy prince, Wildedescribes the prince like this: “He was gilded all over with thin leaves of fine gold, for eyes he had two bright sapphires, and a large red ruby glowed on his sword-hilt.” What a beautiful prince he is, full of jewelry on his body, admired by whole town’s people. Similar authentic descriptions are easy to find in the article. When it comes to the swallow meeting the prince for thefirst time, the author illustrates the prince’s sadness as “tears were running down his golden cheeks.” When the swallow refers to Egypt he is longing for, he says, “In Egypt the sun is warm on the green palm-trees, and the crocodiles lie in the mud and look lazily about them. My companions are building a nest in the Temple of Baalbek, and the pink and white doves are watching them, and cooing to each other.” Whenever I read these words, I can draw a beautiful picture in my mind. It is really an enjoyablething to read these poetic words.
In addition to language, the spirit of the article is full of aestheticism. In the Happy Prince, the prince represents the truth, the kindness and the love. And the swallow is deemed as the paragon of loyalty. The former sacrifices itself to help the poor and in the end loses all his jewelry and becomes shabby, poor, and even “little better than a beggar”. Its external surface is no longer beautiful. It is teared down by councilors who once
praised him. The swallow, in order to keep his promise and accompany the prince, losing the opportunity to fly to the warm Egypt，finally die. Both of them seem do not have a happy ending in the realistic realm but this slightly tragic ending has an aestheticism power. They were chosen by the angel as “two most precious things in the city” and come to the paradise after their death. In my opinion, what the author want to express is that the external beauty will pass away sooner or later, only the inner beauty can be immortal. Besides that, the author satires the pragmatism by the university professor’s comments: “As he is no longer beautiful he is no longer useful." From my perspective, on the contrary, most beautiful things are always “useless”. Good sceneries during a trip, witty remarks in a literal work, and passionate melody of a symphony——they all bring us the feeling of aestheticism but they are useless in practical life. The value of the aestheticism lies in that they make our sights softer when we gaze at the imperfect world. They are redemption in our mental world rather than tools in the world in front of our eyes.
What I want to discuss deeper here is the relationship between the swallow and the prince. In some way, their attachment reflects a sense of aestheticism. It is an ideal state of friendship. In the Happy Prince, the swallow once and once again tells the prince that he is going to leave. But every time, after the prince pleads that;” Swallow, Swallow, little Swallow,” it turns back its determination and helps the prince to help people. When the prince loses its eyes, it says, "You are blind now, so I will stay with you always.”The last time, when he knows that he is going to die, he asks the prince to kiss his lip to express his love.After that, he sleepsforever at the foot of the prince. Here, the author writes,” At that moment a curious crack sounded inside the statue, as if something had broken. The
fact is that the leaden heart had snapped right in two. It certainly was a dreadfully hard frost.” Here, I recall the Little Prince and his rose shaped by Saint-Exupery. They are both loyal friends who love each other deeply, willing to defend the love using their whole life. I believe this kind of love is the ultimate relationship between people which are longing for by everyone. This relationship is so pure, clean and selfless that only death can make them sacred and undestroyed.
“I was a man who stood in symbolic relations to the art and culture of my age,” said Oscar Wilde in that curious literary document, De Profundis. “Few men hold such a position in their own lifetime, and have it so recognized.”Whathesaid is true. Fairytales are not only read by children and I think the reason why many adults like me love fairy-tales is that they give them an opportunity to exam their souls and to revive their sleeping spirituality.
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