篇一：大足大足石刻简介
WORLD HERITAGE------DAZU ROCK CARVINGS OF CHINA
Grotto art, which originated in ancient India and came to China with Buddhism, flourished along the Silk Road and the Huanghe River Valley from the brilliant Northern Wei to the prosperous Sui and Tang Dynasties, and went downhill after the “Rebelling of An Lusan and Shi Siming”. Just at this time of its extinction, Dazu Rock Carvings suddenly began to develop, and constituted another splendid page in the history of grotto art in China. The general term of “Dazu Rock Carvings” mainly refers to all the cliffside carvings art in Dazu County. Put under conservation and protection are 75 spots of cliffside carvings composed of more than 50,000 statues. Among them, the statues of Beishan, Baodingshan, Nanshan, Shimenshan and Shizhuanshan especially possess their characteristics. Construction of Dazu Rock Carvings started in early Tang Dynasty, went through the Five Dynasties and flourished in the Northern and Southern Song Dynasties. They are the last monumental works in the history of Chinese grotto art.
Based on the centuries-old cultures of “Bashu”, Dazu Rock Carvings put forward new ideas and developed a new field of
grotto art. They are the grotto arts apotheoses of Sinicism with strong characteristics of nationalization, flavor of life and secularization. Displaying the developments and changes of the religious beliefs among Chinese and the art style after late Tang Dynasty, Dazu Rock Carvings and the grottoes of Dunhuang, Yungang, Longmen,etc. have formed the complete history of Chinese grotto art. The UNESCO World Heritage, at its 23th session held in December 1999, decided to inscribe the Dazu Rock Carvings on theWORLD HERITAGE------DAZU ROCK CARVINGS OF CHINA
世界文化遗产——大足石刻的中国
Grotto art, which originated in ancient India and came to China with Buddhism, flourished along the Silk Road and the Huanghe River Valley from the brilliant Northern Wei to the prosperous Sui and Tang Dynasties, and went downhill after the “Rebelling of An Lusan and Shi Siming”. Just at this time of its extinction, Dazu Rock Carvings suddenly began to develop, and constituted another splendid page in the history of grotto art in China. The general term of “Dazu Rock Carvings” mainly refers to all the cliffside carvings art in Dazu County. Put under conservation and protection are 75 spots of cliffside carvings composed of more than 50,000 statues. Among them, the statues of Beishan, Baodingshan, Nanshan, Shimenshan and Shizhuanshan especially possess their characteristics. Construction of Dazu Rock Carvings started in early Tang Dynasty, went through the Five Dynasties and flourished in the Northern and Southern Song Dynasties. They are the last monumental works in the history of Chinese grotto art.
石窟艺术,起源于古印度,来到中国佛教盛行,沿着丝绸之路和黄河河谷的北部的繁华辉煌魏隋唐,下山后的“反抗的Lusan和史斯明”。就在这一次的灭绝,大足石刻突然开始发展,构成了另一个精彩
的页面在历史上在中国石窟艺术。通用术语“大足石刻”主要是指所有的峭壁雕刻艺术在大足。将在保护和保护是75点的峭壁雕刻由超过50000座雕像。其中,雕像,Baodingshan北山,南
山,Shimenshan和Shizhuanshan特别是拥有他们的特点。建设大足石刻始于唐代,早期经历了五代和盛行于唐宋时期的北部和南部的。他们是最后的不朽的作品在中国石窟艺术的历史。
Based on the centuries-old cultures of “Bashu”, Dazu Rock Carvings put forward new ideas and developed a new field of
悠久的文化基础上的“巴蜀”、大足石刻提出了新思路和新领域的开发
grotto art. They are the grotto arts apotheoses of Sinicism with strong characteristics of nationalization, flavor of life and secularization. Displaying the developments and changes of the religious beliefs among Chinese and the art style after late Tang Dynasty, Dazu Rock Carvings and the grottoes of Dunhuang, Yungang, Longmen,etc. have formed the complete history of Chinese grotto art. The UNESCO World Heritage, at its 23th session held in December 1999, decided to inscribe the Dazu Rock Carvings on the World Heritage List.
石窟艺术。他们是石窟艺术具有强烈的中国风格特征种神化的国有化,生活的味道和世俗化。显示发展变化,在中国的宗教信仰和艺术风格在晚唐、大足石刻和敦煌石窟、云冈、龙门等,已经形成了完整的中国石窟艺术的历史。联合国教科文组织世界遗产,在其1999年12月23日举行会议,决定题写大足石刻列入世界遗产名录。
rld Heritage List.
篇二：大足石刻主要病害
据大足石刻博物馆负责人介绍，由于“千手观音”在野外崖壁上，历经风吹、日晒、雨淋、冷暖交替等作用，目前已进入高速风化期，很多造像表面出现层状剥落、粉末状剥落、空鼓、龟裂、起壳等现象，使造像产生渗水、细部风化、造像岩体断裂、垮落破坏及金箔变色起壳剥落等病害，情况危急。
2008年，国家文物局将其确定为全国石质文物保护一号工程，组织国内外专家开展勘查研究和抢救性保护工作，截至目前，已修复37只手，整体修复有望于明年实施。
相关人士称，千手观音像现在犹如一个多病之躯的老人，正进入垂危之际，如不及时采取措施，有可能造成无法弥补的损失。
篇三：大足石刻的主要病害
大足石刻的主要病害
目前，大足石刻的病害主要可以归纳为以下几方面：
1.风化病害
石质文物的风化是普遍存在的，风化的原因多种多样，主要是岩石自身特性和外界环境
因素两方面。
风化破坏的内外原因，不是孤立地起作用，而是以某种因素共同作用的结果。
2．岩体失隐
大足石刻摩崖造像一般位于陡立的边坡岩体上，开凿窟体内部受力情况发生改变，加上长期遭受风化作用，造像岩体出现变形、开裂、滑移、脱层掉块等，
免费论文网友情提示：本网站所有内容为共享上传提供，不涉及任何商业利益，本站对此不承担任何保证责任！
Copyright © www.csmayi.cn Corporation, All Rights Reserved 共享时代 共享你我他 版权所有